Daan Noppen
  • Gallery
    • Reeva (2013) Colored Pencil on canvas 150 x 250 cm
    • Marliz (2013) Pencil on paper 120 x 150 cm
    • Pencil drawings
    • Ai Weiwei, pencil drawing
    • Limpiando Ventanas
    • Opus II
    • Clouds we are
    • Melaina Chole
    • Prima Materia (Film)
    • GDNPDWTU
  • Contact
  • Reeva (2013) Colored Pencil on canvas 150 x 250 cm
    Portrait in memory of Reeva Steenkamp. Colored pencil drawing with dimensions 150 x 250 cm on canvas.
    Drawing, Fine Arts, Painting
    2013
  • Marliz (2013) Pencil on paper 120 x 150 cm
    Portrait of Marliz, pencil drawing on paper 120 x 150 cm
    Drawing, Fine Arts
    2013
  • Pencil drawings
    Pencil drawings Daan Noppen
    Drawing, Fine Arts, Illustration
    2010
  • Ai Weiwei, pencil drawing
    Portrait of Ai Weiwei based on a photograph by Katharina Hesse
    Drawing, Fine Arts
    2009
  • Limpiando Ventanas
    Limpiando ventanas is a documentary serie about a group of young men washing car windows on the corner of Lazaro cardenas street and Avenida Izazaga in Mexico City (Mexico). The photos show a group of young men creating their own micro enterprise to make a living. The group forms a close bond with their own social codes working together in order to survive in the economical environment of Mexico DF. The serie consist of 19 photos and is part of the colaboration on the documentary film 'Limpiando Ventanas' by Monica Hernandez.

    Recently Limpiando Ventanas was awarded with 3 Honorable mentions for the International Photography Awards 2008.
    Documentary, Photography, Fine Arts
    2008
  • Opus II
    Daan Noppen, Opus II at first sight can be read as a ‘renaissance’ representation of angels but when looked
    upon closer it is not. The characters in the image are not angels and do not represent ‘western’
    people. It is mererly their shape that speaks or refers to the language of renaissance
    iconographic painting.

    It is a metaphor for a new, contemporary authenticity. On a global scale cultures are getting
    increasingly intermingled, and instead of seeing this as a loss of authenticity, I experience it
    as a development that must lead to a redefinition of the meaning of ‘identity’. The identity
    of a country or a nation is not a static value but it is subject to influences that will result in an
    adapted perception of what this identity comprehends. This adapted perception rather seems
    to manifests itself at an individual or micro-social level.

    In my work linear worlds collapse with non-linear worlds creating quantum thoughts about our realities and their probabilities. Projecting past, present and future in the now as one image I project a parallel reality that we normally cannot see with the naked eye.
    Fine Arts, Photography, Film
    2008
  • Clouds we are
    ‘In Clouds we are’ I presents a number of scenes portraying Selene, goddess of the moon in an post-apocalyptic setting. This setting is a probable future projected in the now. The goddess represents the physical connection between the past and it's future. Whithin her she beholds a paradox of eternal and mortal life.

    Each of the 7 scenes is named after a specific phase of the moon, where the last scene is called new moon.
    Photography, Fine Arts, Film
    2008
  • Melaina Chole
    Melaina Chole is a 11 minute short film shot on HD. It is about
    the embodyment of the black chale, inspired on the essay ‘About Melancholy’ by Aristoteles. Writen & Directed by Daan Noppen, Cinematography Ruzbeh Babol, Actress Caecilia Thunnissen, Assistant director Arjen Went, Camera Allard van der Werff, Camera rental Camalot, HD online Ruud de Bruin
    Film, Fine Arts, Photography
    2008
  • Prima Materia (Film)
    An old alchemist is working on her Opus
    Magnum. During daily work, by accident,
    she creates a duplicate of herself. Her attempt to turn things around becomes her fatal.
    Film, Fine Arts
    2008
  • GDNPDWTU
    God does not play dice with the universe. A text by Einstein talking about that quantum physics does not match the macrocosmos. This work is like a black hole for me where beauty appears
    Fine Arts, Photography, Film
    2008
All works copyrighted © Daan Noppen 2013.
Please do not reproduce without the expressed written consent of Daan Noppen.